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It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. I also designed and built the majority of the graphics as Motion templates. #Davinci resolve lite 10.1 series#Though I haven't yet tried to herd a flock of sheep through the city centre! Current EditingĢ020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). #Davinci resolve lite 10.1 pro#Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years. I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs. I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago. The convergence control is now on a separate line in the keyframe timeline to make it easier to manage convergence keyframes." This means the edit timeline for stereo projects is now a single rather than two timelines and stereoscopic 3D timelines can now be edited. ![]() #Davinci resolve lite 10.1 software license#The additional editing tools we are releasing today give customers more precise control over their projects from within the DaVinci Resolve timeline and improves integration with popular editing and visual effects software so that customers get the best workflow possible.įor the full software license version, the stereoscopic 3D functionally of v9 is also included with the addition of being able to sync the left and right eye in the media pool automatically. #Davinci resolve lite 10.1 update#“Resolve 10 has been a massive update with over 50 new features including temporal processing, Open FX Plug-ins and powerful onset tools. ![]() “We are really excited to be adding even more advanced editing features so quickly after the release of DaVinci Resolve 10” said Grant Petty, CEO, Blackmagic Design. The enhanced editing tools also include support for trimming frame based clips such as DNG and DPX that reduces time in transferring clips for even faster workflows, as well as Rich Text title support which allows every character’s size, position and color to be adjusted individually directly from the Edit page.Ĭustomers with the full software license of DaVinci Resolve will get enhanced 3D stereoscopic tools including a full stereoscopic multi track editing timeline, enhanced convergence adjustments and automatic alignment. Editors can now copy individual clips in the editing timeline with a simple drag and drop, making it easier to use the same footage in different parts of the edit. The new DaVinci Resolve 10.1 update adds innovative editing features that includes allowing users to preview and align multiple camera takes while editing, so they can quickly switch between takes to show their clients shot options live from the timeline. Please let us know if the update has fixed or broken new things! This should please editors who have been editing in XAVC with FCPX since 10.0.8 as they can now grade in Resolve. In the long, long list of features we have also spotted that the update brings support for Sony F55 Raw and XAVC and Sony F5 XAVC. This is going to be of great help to editors who reframe large sensor media such as RED or 4K in a smaller timeline. Now shot reframing adjustments made during Final Cut Pro editing will translate even more accurately into the DaVinci Resolve timeline.' Compound clips from FCP X 10.1 with separate A/V elements are now split into individual clips and imported FCP 7 XML’s include font properties and timeline markers as well as being able to bring across sizing, cropping and composition parameters. 'Also featured in DaVinci Resolve 10.1 are XML import enhancements for both FCP X 10.1 and FCP 7 customers. It also fixes the problem that many editors were reporting with imports of XML into the previous version. Headline news for us is the 10.1 XML format import which features midway down the press release. The new update brings Resolve up to version 10.1 (Is it us or are we finding all the 10 based version numbers difficult to remember?). The news keeps on getting better, not only has Resolve more than filled the shoes of Apple's Color, it is starting to provide a whole wardrobe of extra grading features for Final Cut Pro X editors. Look again as the support of FCPX XML 10.1 means much more interoperability. At a quick glance, you might not think this 10.1 update to Blackmagic Design's DaVinci Resolve colour grading application a big deal. ![]()
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